Mark Williams

Mark Williams here, and I should introduce myself. I’m the guy with a publishing company to bring “lost” detective and crime stories of the late 1800s to new readers. My company is called Dark Lantern Tales, and here is how it came to be.

My parents were artists, and while growing up I had no other expectation than to pursue life as an artist myself. But during my one erratic year in college, I became part of a bootleg underground radio station and within a couple of years I was recording music for a living.

Most of the people in my life know me from the long career I had in the recording business. Obsessively pursuing the knowledge, skill, intuition, and opportunities to make fine recordings of music was way beyond a job — it was who I was! And that was for fully fifty years, during which time I had to evolve through the many changes happening in the recording industry. But a couple of years ago it became obvious to me that new changes in the business were more than I was up to tackling. It was finally time to call it a day.

And that led me to wonder, “If I am not recording music, who am I?” Good question, and looking for a satisfying alternative, I began to imagine how I might create a publishing company to share my interest in an obscure area of literature.

Books, like records, are packets of culture and entertainment, so it didn’t seem like such a big leap to go from recording records to publishing books.

Beginning as a teenager, I studied late 19th century American history and collected artifacts. Over the years I further focused my interest on the popular fiction sold from newsstands to working folks in the 1800s. The publishing business of the 1880s was as seamy and chaotic as anything I experienced in the music business! Plus, I always felt akin to the hard working and hard living writers who scratched out thousands of words each day with pen and ink.

My recording work evolved to include frequent travel, and after a twelve-hour day working in a recording studio somewhere, I relaxed in my hotel room and prowled the internet. I was learning and looking for rare titles I wanted. My wife, Ann, would have the boxes of my online finds for me when I got back home.

A concept came to me that people might really enjoy the low-brow, high-action detective stories of the 1870s–1890s if they were easy to read. There are lots of readers who like Historical Fiction, and there is new interest in Victorian-era drama on TV with shows like Miss Scarlet, The Murdoch Mysteries, and the various Sherlock Holmes adaptations. Trying to read the fragile, browned originals, or trying to read scans from computer files, was OK for academics (and me) but someone on a flight or sitting on a beach would want a convenient, modern book. Dark Lantern Tales now has over a dozen titles out in trade paperback and eBook formats, and eventually, audiobooks will be available.

So, to answer my question from a few paragraphs ago, I am now the curator, editor, and publisher of these stories from Dark Lantern Tales. Being immersed in these old detective stories and going through all the stages to bring them from the scarce originals to present-day editions, has become my new obsession. While I still do some audio work for select clients, my search is for adventurous Historical Fiction readers. Welcome to the world of action-packed crime thrillers of the late 1800s!

End of a long day of mixing at Oceanway Nashville Studio B

The Studio Years

Oceanway Nashville, Studio B